The laurels rest with the lovebirds at the heart of the opera: the exuberant partnership of Peter Kellner’s Figaro and Slávka Zámecníková’s Susanna
Bachtrack.com
anchored the performance. Commanding the centre of gravity, Kellner gave a highly dynamic portrayal, singing with unending energy and wit, while Zámecníková charmed in equal measure with her delightful, shimmering lyric soprano, “Deh, vieni non tardar” delivered with a touch of delectable playfulness.
Slavka Zamecnikova is an enchanting Susanna, wise and clever, she knows how to use the Count’s stalking to her advantage. In the disguise of a countess in the fourth act, she shows that she definitely has what it takes to be a real countess.
onlinemerker.com
Spectacular work by Slávka Zámecniková as Susanna, the Almaviva’s servant. In addition to the undoubted beauty of the voice, she has a wonderful technique that allows her to move through the entire range without any problem, giving her role, fundamental in the work, even greater relevance. I liked her above all in the interrelationship with all his companions, duos, trios or concertantes where she was always at a very high level.
planeamagazine.com
The beautiful voice of Susanna (Slávka Zámecníková) is powerful, full-bodied, but also technicaly very well placed.
cult.news